Some photos and some poor captions from my visit to Boston Public Library on the way to Maine last summer. French-American architecture at its best, with some Italianesque frescoes in the interior.
Been Othered, quite upfront – not British, not Irish, not Scottish, just Other White
[uni classification system]
I merged a bunch of stock images into a collage that partly describes the visual impression of my first semester, year three. Just because I like it when things are visual – that’s right, visual, not quantified – and I like to reflect on my time on Earth. I find it quite therapeutic.
The ‘quantified’ reference is due to that I just read a chapter on the quantitative revolution in geography and the systems analysis method in physical geography, and I was shocked how much someone wanted to push geography onto the wrong track (I didn’t say that, Burton 1963). Now, onto paradigms.
I’m glad I can have conversations like this on an everyday basis. My Polish isn’t very good.
In the past, I used to despise Gothic spires. When introduced to Gothic Revival in an architectural history course in first year, I would look at AWN Pugin’s “Contrasted Towns” and grimace. What he was saying did not match up at all to what I was thinking – the high-reaching Gothic spires were not signposts of divine presence to me. Instead, they were unnecessarily pointy, and a waste of stone, really. Symbols of inequality rather than good spirit. The city’s skyline resembles a value chart rather than a happy, hippy, ordered place.
And that’s no good sign.
All respect from me to him, though, for condemning classicism and neoclassicism and all that Greek Revival going on in other parts of the country. But saying that the bottom picture shows a dehumanised city and the top one – an exemplary environment for a society to thrive? I will not take that.
Where I was going with this, though, is somewhere else.
Walking back home today after my last class finished (I was going to move to a coffee shop and work on my essay, since the weather was perfect and I got a free hot drink voucher, but exactly because of the weather my feet were wet and cold and I went home instead), I realised that unwittingly I measure the distance I yet have to go by the Gothic spire that sticks out of the local golf course. Then I came to realisation that this year I live practically next to a church.
A church that is still a church, but less of a church than more.
If you know Edinburgh a fair bit, you’ll know that there’s plenty of churces dotted around the city, especially within a 2-mile-ish radius from the centre.
Not all of them are still churches. (For example, the one temple in Infirmary Street is
the Estates Department of the University of Edinburgh).
And then I decided that I actually like this spire.
But I don’t think that’s because it’s Gothic. It’s because it tells me that that’s where
home is. Everybody looks out of the window on the plane when they’re approaching their home airport. That’s my window for here. Looking out for the Gothic spire.
… but a spire looks best when it’s cloudy and rainy. Not only does it bring the noir urbanism kind of vibe, but the spire looks like it’s up to something mischievous. And that something is reaching up to the clouds to rip them open and have them pour down even more rain. Or blood? Do clouds bleed? …